EMOTIONAL IMPACT OF JAMES BOND SERIES TRAILERS: NARRATIVE AND CINEMATIC TECHNIQUES
DOI:
https://doi.org/10.30888/2663-5712.2021-07-05-024Keywords:
trailer, emotivity, voice-over, shots montage, sound design.Abstract
This paper examines James Bond series trailers regarding their capability of having significant emotional effect on viewers. Emotivity of this cinematographic sub-genre has been studied from a lingual and cinematic perspective taking into account psycholMetrics
References
Baldry, A. P. (2000). ESP in a visual society: historical dimensions in multimodality and multimedialty. Multimodality and multimediality in distance learning age (pp. 44–89). Campobasso: Palladino Editore.
Black, J. (2005). The politics of James Bond: from Fleming's novel to the big screen. Lincoln: University of Nebraska Press.
Bordwell, D. (1996). Convention, construction and cinematic vision. In Bordwell, D., Carroll, N. Post-Theory-Reconstructing Film Studies (pp. 87–107). Madison: The University of Wisconsin Press.
Campbell, M. (2006). Casino Royale trailer. LA, CA: Columbia Pictures, Eon Productions, Stillking Films, Metro-Goldwyn-Mayer, 2.24 mins.
Chaume, V. F. (2003). Models of Research in Audiovisual Translation. Babel. 48/1, 1–13.
Cordwell, M. (1999). Psychology from A to Z. Moscow: Fair-Press.
Eco, U (2004). The role of reader. Research on semiotics. Lviv: Literature.
Eitzen, D. (1993). Attending to the fiction: A cognitive account of cinematic illusion. Post Script, 13 (1), 46–60.
Forster, M. (2008). Quantum of Solace trailer. LA, CA: Eon Productions, Metro-Goldwyn-Mayer, Columbia Pictures, 2.28 mins.
Gibbons, A. (2012). Multimodality, cognition, and experimental literature. L.: Routledge.
Gillam, B. (2000). Perceptual constancies. In Kazdin, A. E. (ed.), Encyclopedia of psychology (pp. 89–93). Washington, DC: American Psychological Association.
Gladio, S. V. (2000). Emotivity of the fiction text: semantic-cognitive aspect (on material of contemporary English prose). Kyiv
Hansen, P. K. (2008). Unreliable narration in cinema: facing the cognitive challenge arising from literary studies. Amsterdam International Electronic Journal for Cultural Narratology, 5. Retrieved from https://cf.hum.uva.nl/ narratology/a09_hansen.htm
Huhn, P., Pier, J., Schmid, W., Schonert J. (2009). Handbook of Narratology. Berlin: de Gruyter.
Langacker, R. W. (2007). Cognitive grammar. In Geeraerts, D., Cuyckens, H. (Eds.), The Oxford handbook of cognitive linguistics (pp. 421–462). New York: Oxford University Press.
Lotman, Yu. M. (1998). Semiotics of cinema and issues of cinema aesthetics. St. Petersburg: Art − St. Petersburg. Retrieved from https:// www.gumer.info/bibliotek_Buks/Lotm_ Kino / 02.php /
Medinskyi, S. E. (2011). Operator: Space, frame. Moscow: Aspect Press.
Mendes, S. (2012). Skyfall trailer. LA, CA: Columbia Pictures, Eon Productions, B23 Ltd., Metro-Goldwyn-Mayer, 2.32 mins.
Mendes, S. (2015). Spectre trailer. LA, CA: Columbia Pictures, Eon Productions, Danjaq, LLC, Metro-Goldwyn-Mayer, 2.33 mins.
Myslavskyi, V. N. (2007). Cinema dictionary. Terms, definitions, jargon. Kharkiv: Publishing House of Kharkiv State Academy of Art.
Nørgaard, N. (2010). Key terms in stylistics. London; New York: Continuum.
Pierce, Ch. S. (2000). The beginning of pragmatism. In The logical foundations of signs theory (pp. 5–352). St. Petersburg: Alateia.
Reeve, J. (2009). Understanding motivation and emotion. Hoboken, NJ: Wiley.
Shklovsky, V. B. (1929). On the theory of prose. Moscow: Federation.
Stam, R. (2005). Literature and Film: A guide to the theory and practice of film adaptation. Oxford: Blackwell Publishing.
Stockwell, P. (2002). Cognitive poetics: An introduction. London: Routledge.
Trottier, D. (2014). The Screenwriter's Bible. L.: Silman-James Press.
Vorobiova, O. P. (2004). Cognitive Poetics: Achievements and Prospects. Bulletin of Kharkiv National University Named after. V. N. Karazin, 635, 18–22.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Authors
This work is licensed under a Creative Commons Attribution 4.0 International License.
